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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Ayat looking at the mirrow early morning.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Ayat praying at the early morning in her hut.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Ayat praying with her son, at early morning.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Aya's silhouette early morning.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Ayat holding baby Ivonne.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Ayat family inside the hut.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Ayat family at the stone quarry.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Ayat daughters at the stone quarry.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Ayat at the stone quarry, curious wuth new technology.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Ayat in the stone quarry, with her best companion: the hammer for nreaking rocks.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Ayat in the stone quarry, proud to be a woman and not a slave.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows that's time to pray in Kreka's church.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Jennyfer Ayat organizing her day in the hut.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Magdalene, Jennyfer Ayat's stone quarry friend worker showing that is affected by the Guinea worms and still working for her and family surviving. Magdalene, does not have any government assistance for her Guinea worms disease, and is condemned to be in this situation forever in the future.
FEATURE STORY.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Magdalene, Jennyfer Ayat's stone quarry friend worker showing that is affected by the Guinea worms and still working for her and family surviving. These women, like Magdalene and Jennyfer Ayat, all have two things in common: they make barely enough money to survive and they are all refugees who fled the war in Northern Uganda. After suffering a decade or more of war in Apac district in Northern Uganda, they came to Kampala in search of a safer and happier life. Most have now spent over a decade working at the quarries with no respite. Magdalene works in Kireka stone quarry since eleven years, earning two US dollar a day.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Magdalene, Jennyfer Ayat's stone quarry friend worker showing that is affected by the Guinea worms and still working for her and family surviving. These women, like Magdalene and Jennyfer Ayat, all have two things in common: they make barely enough money to survive and they are all refugees who fled the war in Northern Uganda. After suffering a decade or more of war in Apac district in Northern Uganda, they came to Kampala in search of a safer and happier life. Most have now spent over a decade working at the quarries with no respite.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Erik, the stone quarry "master boss", where Jennyfer Ayat and hundreds of slaves live in an inhuman conditions. Eric earns 20% for each stone jerry-cane, that the Kireka stone quarry slaves hang in their shoulders.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows a boy carrying on his shoulder a 10 kg of jerry-cane stone for a miserable 200 hundred uganda shillings paid.

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Jennyfer Ayat : Slave in Kireka's sto...
Kampala, Uganda
By Piero Pomponi World Focus
20 Feb 2012

Kireka-Kampala township-Uganda-East Africa-February 26th-2013
Following on the footsteps of great many people before her, Jennyfer Ayat made a daring and courageous decision to escape the controls of sexual enslavement or perhaps even death, from the followers of warlord Joseph Kony by braving the long march of Gulu Walk. It seems ironic when in essence Jennyfer Ayat is escaping one form of brutal slavery for another.
Over the past twenty years the echoes of pain injected by the Kony terror, have caused women like Jennyfer Ayat, of Uganda to make hard and testing choices to either live in constant fear of death for themselves, their children and loved ones, or harvest bravery from the fountain sitting deep within to escape and live in another form of fear. One where the desperation of making an exodus of living in poverty and in slavery has become invisible to corporations, employing workers at the lowest, most discriminatory wages, robbing them of their human rights and the fundamental freedom to choose, let alone their voiceless whisper vindicating their right of a just deserved human dignity.
It is shocking to observe that children born in this state of bondage; continue to live a life journey of captivity and slave labor, long after their parents’ escape from the Kony violations against humanity. A young 36 year old Jennyfer Ayat carrying a hammer on her shoulder, as if this chunk of iron embellished with a long, heavy pole made of rough wood has become Jennyfer’s best play mate and soul companion. The unimaginable strength of Jennyfer Ayat’s body bears resemblance to a rare piece of priceless sculpture: but this is not the romanticism of African life, this is an image evoking a story of human survival and absolute determination; the cruel reality of working for virtually naught, for each jerry-can loaded with crushed stones and carried airborne by the strong in the quarry, is worth a mere 100 Ugandan shillings. Considering there are some 2250 Ugandan shillings to a dollar in conversion, and many hours of hardship labor to a filled jerry-can, how many more veins must bleed dry for every dignified being to continue living under a dollar a day, while corporations rip offensive benefits through such human abuse and exploitation?
Jennyfer Ayat is seen on many occasions with hammer in hand pounding the rock, her frame is small but her strength is heroic. There are no traces of hatred in her expression, but a breed of devotion that is disturbing to the more fortunate audience, exuding an acceptance of life as it is, and as it will always be. But, it is in Jennyfer’s strength of spirit and will to survive that has kept her and her family breathing their harsh journey. Each frame illustrates the Inferno of an ongoing documentary project called “BUKEDDE”, a word in Luganda, the main local language of Uganda, which means “ONE MORE DAY” to identify that “it is morning again”. It captures the core of Jennyfer’s character and high moral fiber, her moments of tenderness with her little adopted baby, Ivonne whose aura radiates a Madonna like semblance. She cradles the child gently inside their humble home, illuminated by soft candle light in the cold African nightfall. The compositions also encapsulate the private moments of prayer with her son, both clutching their only rosary, recorded through the faint light radiating from a set of azure candles. These are intimate moments she shared; giving every one of us the only thing she has left to give, her self existence.
This moving photographic journey introduces us to Jennyfer, a strong African woman; showing glimpses of her daily life, her hopes and dreams, the reverence and aspirations for her precious children. The moments captured, display the altruism of unconditional love, the importance of small details in life, the sharing of work scented with nobility, and the intimate exchange of profound glances in prayer. The daily trivia of Jennyfer’s life in Kireka are but a brief preview into the depths of her soul captured through the eyes and the lenses, amidst a rollercoaster of emotions as witness of such narrative. They speak of hardship, fear and faith and highlight the coldhearted blindness of governments, institutions and corporations.
This is “BUKEDDE”, it is morning again…
The pictures shows Magdalene, Jennyfer Ayat's stone quarry friend worker showing that is affected by the Guinea worms and still working for her and family surviving. These women like Magdalene and Jennyfer Ayat, all have two things in common: they make barely enough money to survive and they are all refugees who fled the war in Northern Uganda. After suffering a decade or more of war in Apac district in Northern Uganda, they came to Kampala in search of a safer and happier life. Most have now spent over a decade working at the quarries with no respite.

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Mubarak Off
Cairo, Egypt
By wailgzoly.911
07 Feb 2012

Cairo, Egypt: February 11, 2011

Egyptians celebrating in a joyful atmosphere after President Hosni Mubarak stepped down.

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Mubarak Off
Cairo, Egypt
By wailgzoly.911
07 Feb 2012

Cairo, Egypt: February 11, 2011

Egyptians celebrating in a joyful atmoshphere after President Hosni Mubarak stepped down. People chanting slogans such as "The people have won over the regime".

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"to be or not to be"- Anti Mubarak pr...
Cairo, Egypt
By wailgzoly.911
06 Feb 2012

Cairo, Egypt: February 5, 2011

A child protesting in Tahrir Square, a couple of days before President Hosni Mubarak's resignation.

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Revolution not Complete Yet
Cairo, Egypt
By randoshka2000
29 Jan 2012

Cairo, January 27,2012
Protesters in Tahrir SQ celebrating the revolution and holding placards saying: "Transferring the power to civilian and fight against corruption".

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Dokki March
Cairo, Egypt
By marie.s.youssef
25 Jan 2012

January 25, 2012 - Cairo
Thousands of protesters marched from the district of Dokki to Tahrir Square as they chant "freedom, freedom."

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Freedom is Coming
Cairo, Egypt
By randoshka2000
11 Dec 2011

Graffiti that reads: "Freedom is Coming"

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FREEDOM IS THE ANSWER
Middle East
By sherifaq
11 Apr 2011

Freedom is the answer!!
"Liberty means responsibility that's why most men dread it" George B. Shaw