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Witches Compass
New York City
By Jonathan Alpeyrie
10 Oct 2014

Brooklyn, 10/14
The season of the witch is back. From American Horror Story: Coven to a new exhibit at the British Museum called “Witches and Wicked Bodies,” witches are once again ascendant. The current neo-pagan revival is less evocative of the cutest witches we met in 1990’s – it is distinctly feminist. The new witch culture blends a kind of radical eroticism with metaphysical liberation — and it aims to change the world.
On the weekend of October 10th, we attended and shot the first anniversary of the Witches Compass, a monthly gathering of appropriately attired occultists at Kateland, a bookstore in Bushwick, Brooklyn that is at the epicenter of the local pagan universe. Katelan Foisy (also a painter, model, and tarot card reader) lead attendees through an immersive ritual cleansing to honor the Hunter’s Moon — with massive paper moons on display. Katelan and her witch-colleague Damon Stang are pioneers of the occult revival happening in this hipster enclave. A few days after the Witches Compass, I sat down for an interview with Katelan and Fred Jennings, the co-owner of Kateland. They explained what makes the third contemporary resurgence of the occult so different than the ones that have come before. Intrinsically feminist, LGBT-friendly, and politically active by nature, the new witches are in it for far more than just love spells.

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Druze Sheikhs of Lebanon
Batloun
By Walid
19 Mar 2014

Sheikh Karam KAMAL-EL-DINE: (Batloun): Painter for 22 years. He is holding a degree in psychology and a Masters in Fine Arts from the Lebanese University. He teaches in public schools and manages a private studio called "Art House". He is the designer of some of the biggest mosaic canvas of the world and his work is visible today in the courtyard of Cultural and Sporting Club of Batloun.

Cheikh Karam KAMAL-EL-DINE: (Batloun) Peintre depuis 22 ans. Titulaire d'une licence en psychologie et d'une maîtrise en arts plastiques à l'Université Libanaise. Il enseigne dans quelques écoles publiques et gère un atelier privé appelé « Maison d'art ». Concepteur du plus grand tableau en mosaïque du monde, il est passe de l'idée à l’action, son œuvre étant aujourd’hui visible dans la cour du Club Culturel et Sportif de Batloun.

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Graffiti in Beirut 4
lebanon beirut
By Pierre de RougŽ
05 Jan 2014

Graffiti from the famous lebanese painter "Phat2", Beirut 01/14

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey.
By Claudia Wiens
27 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Basel Abbas and Ruanne Abou Rahme work collaboratively from their base in Ramallah, Palestine across a range of sound, image, installation, and performance. © Claudia Wiens/

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The 13th Istanbul Biennial, “Mom, am ...
Turkey, Istanbul
By Claudia Wiens
12 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Basel Abbas and Ruanne Abou Rahme work collaboratively from their base in Ramallah, Palestine across a range of sound, image, installation, and performance. © Claudia Wiens/

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
12 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Basel Abbas and Ruanne Abou Rahme work collaboratively from their base in Ramallah, Palestine across a range of sound, image, installation, and performance. © Claudia Wiens